The Matador Revisionist History Podcast

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The Matador Revisionist History Podcast
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Music Interviews Music Music History Entertainment News
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420 - 700 listeners Neutral 4.6 rating 28 reviews 14 episodes USA
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For more than 3 decades, Matador Records has been nestled soemwhere in the top half dozen independent labels. Some years were better than others - everyone's got an opinion, especially the recording artists. Hear their stories on "Matador Revisionist History" and find out what really happened (sort of).

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Recent Hosts, Guests & Topics

Here's a quick summary of the last 2 episodes on The Matador Revisionist History Podcast.

Hosts

Matt Sweeney

Previous Guests

Marcellus Hall
Marcellus Hall is a musician and songwriter, best known as the frontman of the band Railroad Jerk. He has been active in the music scene for several decades, contributing to the indie rock genre with his distinctive voice and songwriting style. Hall has also been involved in various other musical projects and collaborations, showcasing his versatility as an artist.
Dave Varenka
Dave Varenka is a drummer and musician, recognized for his work with the band Railroad Jerk. He has played a significant role in shaping the band's sound and has been part of the indie music scene for many years. Varenka's drumming style and contributions to songwriting have been pivotal in the band's success and their memorable live performances.
Jason Simon
Jason Simon is the lead guitarist and vocalist of the stoner rock band Dead Meadow. He has been a prominent figure in the music scene since the band's formation in 1998. Known for his distinctive guitar work and haunting vocals, Simon has contributed to the band's unique sound, which blends elements of psychedelic rock, stoner rock, and folk. Dead Meadow gained recognition for their atmospheric music and have released several albums, including 'Feathers,' which marked a significant evolution in their style. Simon's artistic vision and dedication to music have made him a respected name in the independent music community.

Topics Discussed

One Track Mind Railroad Jerk Marcellus Hall Dave Varenka Tin Pan Alley Max Fish Ljubljana 30th anniversary Dead Meadow Jason Simon Feathers 20th anniversary recording process Steve Kille D.C. hardcore Trad Gras och Stenar 13th Floor Elevators dark sound murky sound

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Episodes

Here's the recent few episodes on The Matador Revisionist History Podcast.

0:00 53:38

S5 Ep2: Episode 16 - Railroad Jerk's Marcellus Hall and Dave Varenka on 'One Track Mind'

Hosts
Matt Sweeney
Guests
Marcellus Hall Dave Varenka
Keywords
One Track Mind Railroad Jerk Marcellus Hall Dave Varenka Tin Pan Alley Max Fish Ljubljana 30th anniversary
In celebration of the 30th anniversary of 'One Track Mind,' Railroad Jerk’s own Marcellus Hall and Dave Varenka join host (and personal friend) Matt Sweeney in conversation for the latest episode of the Matador Revisionist History Podcast. They look back on recording the album with Settly in Manhattan's Tin Pan Alley, late nights at Max Fish, some fond memories from tour, including the time when everyone in the caravan got stalled at the border of Slovenia except for Dave and Marcellus, which led to one of the best shows of their careers in Ljubljana.
0:00 47:33

S5 Ep1: Episode 15 - Dead Meadow's Jason Simon on 'Feathers'

Hosts
Matt Sweeney
Guests
Jason Simon
Keywords
Dead Meadow Jason Simon Feathers 20th anniversary recording process Steve Kille D.C. hardcore Trad Gras och Stenar 13th Floor Elevators dark sound murky sound
In the latest episode of the Matador Revisionist History Podcast, Dead Meadow's Jason Simon joins host Matt Sweeney (Chavez, The Hard Quartet) to discuss the 20th anniversary of 'Feathers,' the album's slightly-troubled recording process, remembering founding bassist Steve Kille, as well as the influence of D.C. hardcore, Trad Gras och Stenar, and 13th Floor Elevators. 

Originally released in 2005, Feathers was a departure from Dead Meadow’s earlier work. The songs were moodier and more densely layered, reflecting the arrival of longtime friend and second guitarist Cory Shane. “The sound was intentionally dark and murky,” says Shane. “Sometimes a rolling stone can gather moss.” The album was recorded amidst personal upheavals and a fair amount of pandemonium – from zoned-out late-night basement sessions in D.C. to a fully-gonzo studio date in New York City.



Ratings

Global:
4.6 rating 28 reviews

USA

4.6 ratings 27 reviews

Canada

5.0 ratings 1 reviews

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