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Come along for the ride with curious artists Fiona Verity, Julie Nicholson and host Gary Seller, as they talk about their creative journey. Hear them interviewing artists, curators, gallery owners, teachers and creatives to guide them, and the listeners, within the arts community. Enjoy the banter whilst they navigate through all the Art W**k.
Come along for the ride with curious artists Fiona Verity, Julie Nicholson and host Gary Seller, as they talk about their creative journey. Hear them interviewing artists, curators, gallery owners, teachers and creatives to guide them, and the listeners, within the arts community. Enjoy the banter whilst they navigate through all the Art W**k.
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Recent Hosts, Guests & Topics
Here's a quick summary of the last 5 episodes on Art Wank.
Hosts
Gary Seller
Previous Guests
Matt Bromhead
Matt Bromhead is a Sydney-based artist known for his multidisciplinary practice that incorporates drawing, sculpture, and painting. His work is characterized by the use of layered mulberry paper and homemade rice glue, with marks influenced by Chinese calligraphy. Bromhead is recognized for his delicate handling of materials and an intuitive approach to mark-making, exploring themes of form, space, and texture in his art. He has developed a distinctive aesthetic that reflects his artistic journey and the environments in which he works.
Matt Bromhead is a Sydney-based artist known for his multidisciplinary practice that incorporates drawing, sculpture, and painting. His work is characterized by the use of layered mulberry paper and homemade rice glue, with marks influenced by Chinese calligraphy. Bromhead is recognized for his delicate handling of materials and an intuitive approach to mark-making, exploring themes of form, space, and texture in his art. He has developed a distinctive aesthetic that reflects his artistic journey and the environments in which he works.
Oliver Abbott
Oliver Abbott is a Sydney-based artist known for his innovative approach to exploring memory and its distortions through art. His latest exhibition, 'Mine', showcases his unique practice that blends digital world-building tools with traditional painting techniques. With a background in filmmaking, animation, and architecture, Abbott creates speculative spaces that challenge the boundaries between reality and imagination. His work often reflects on how personal memories of lived spaces influence artistic expression.
Oliver Abbott is a Sydney-based artist known for his innovative approach to exploring memory and its distortions through art. His latest exhibition, 'Mine', showcases his unique practice that blends digital world-building tools with traditional painting techniques. With a background in filmmaking, animation, and architecture, Abbott creates speculative spaces that challenge the boundaries between reality and imagination. His work often reflects on how personal memories of lived spaces influence artistic expression.
Janis Clarke
Janis Clarke, born in 1983 in Sydney, Australia, is a distinguished contemporary artist renowned for his evocative oil paintings that delve into the nuances of perception and memory. His academic journey in the arts commenced with an Advanced Diploma of Performance Art from JMC Academy in 2003. He further honed his craft at the National Art School in Darlinghurst, NSW, earning a Bachelor of Fine Arts between 2013 and 2015, followed by a Master of Fine Arts from 2016 to 2017 under the mentorship of Dr. Andrew Donaldson. Clarke's work is characterised by tightly composed scenes that capture fleeting moments and introspective reflections. His paintings often present minimalist landscapes and interiors, prompting viewers to engage deeply with the act of observation. Working predominantly at night, Clarke translates his personal experiences and memories into visual narratives, emphasising the stillness and introspection inherent in nocturnal settings. His solo exhibitions have been met with critical acclaim. Notably, in 2023, he presented Living a Life That's Perfectly Still at the Olsen Annexe in Sydney. This exhibition featured works like Full Moon and House, Blue House, and Window and Pink Lampshade, which encapsulate his exploration of light, shadow, and the subtleties of everyday scenes. The exhibition invited viewers to contemplate the act of seeing, not through detailed realism but through the lived experience of looking. Clarke's artistic excellence has been recognised through his participation in numerous group exhibitions and art prizes. He was a finalist in the prestigious Archibald Prize in 2024, showcasing his portrait Beckah in the Studio, which depicted musician Beckah Amani. The portrait captured Amani's strength and resilience, reflecting Clarke's ability to convey complex emotions through minimalist compositions. Additionally, Clarke has been a finalist in other esteemed competitions, including the Mosman Art Prize and the Paddington Art Prize, underscoring his significant presence in the Australian art scene. His works are part of notable collections, such as the Zimmermann Permanent Collection, the Macquarie Group Permanent Collection, and the National Art School Permanent Collection in Sydney.
Janis Clarke, born in 1983 in Sydney, Australia, is a distinguished contemporary artist renowned for his evocative oil paintings that delve into the nuances of perception and memory. His academic journey in the arts commenced with an Advanced Diploma of Performance Art from JMC Academy in 2003. He further honed his craft at the National Art School in Darlinghurst, NSW, earning a Bachelor of Fine Arts between 2013 and 2015, followed by a Master of Fine Arts from 2016 to 2017 under the mentorship of Dr. Andrew Donaldson. Clarke's work is characterised by tightly composed scenes that capture fleeting moments and introspective reflections. His paintings often present minimalist landscapes and interiors, prompting viewers to engage deeply with the act of observation. Working predominantly at night, Clarke translates his personal experiences and memories into visual narratives, emphasising the stillness and introspection inherent in nocturnal settings. His solo exhibitions have been met with critical acclaim. Notably, in 2023, he presented Living a Life That's Perfectly Still at the Olsen Annexe in Sydney. This exhibition featured works like Full Moon and House, Blue House, and Window and Pink Lampshade, which encapsulate his exploration of light, shadow, and the subtleties of everyday scenes. The exhibition invited viewers to contemplate the act of seeing, not through detailed realism but through the lived experience of looking. Clarke's artistic excellence has been recognised through his participation in numerous group exhibitions and art prizes. He was a finalist in the prestigious Archibald Prize in 2024, showcasing his portrait Beckah in the Studio, which depicted musician Beckah Amani. The portrait captured Amani's strength and resilience, reflecting Clarke's ability to convey complex emotions through minimalist compositions. Additionally, Clarke has been a finalist in other esteemed competitions, including the Mosman Art Prize and the Paddington Art Prize, underscoring his significant presence in the Australian art scene. His works are part of notable collections, such as the Zimmermann Permanent Collection, the Macquarie Group Permanent Collection, and the National Art School Permanent Collection in Sydney.
George Hartley
George Hartley is the co-founder of Bluethumb, Australia's largest online art marketplace. He has played a significant role in the evolution of the platform, which represents over 30,000 emerging and established artists from Australia. George is dedicated to providing access to a diverse range of Australian art, including collaborations with 20 of Australia's most remote Aboriginal Art Centres. Under his leadership, Bluethumb has sold over 110,000 original Australian artworks, catering to a wide audience from first-time buyers to established collectors and architecture firms.
George Hartley is the co-founder of Bluethumb, Australia's largest online art marketplace. He has played a significant role in the evolution of the platform, which represents over 30,000 emerging and established artists from Australia. George is dedicated to providing access to a diverse range of Australian art, including collaborations with 20 of Australia's most remote Aboriginal Art Centres. Under his leadership, Bluethumb has sold over 110,000 original Australian artworks, catering to a wide audience from first-time buyers to established collectors and architecture firms.
Steve Lopes
Steve Lopes is an artist born in Sydney, Australia. He trained in both Australia and the UK, developing a unique visual language that combines traditional landscape painting with contemporary elements. Lopes' work is characterized by extensive field studies and travel, particularly to remote locations, and he often sketches and paints en plein air. His large-scale studio works evoke themes of memory, movement, and human connection to the land. Lopes' compositions have a cinematic quality, with figures rendered in thick, impasto brushstrokes, capturing fleeting, introspective moments. His art is influenced by history, migration, and the evolving nature of identity, making it both personal and universally resonant. He is a highly regarded artist with exhibitions in Australia and internationally, and his work is included in major public and private collections. Lopes has been a finalist in prestigious art prizes, including the Archibald and Wynne Prizes.
Steve Lopes is an artist born in Sydney, Australia. He trained in both Australia and the UK, developing a unique visual language that combines traditional landscape painting with contemporary elements. Lopes' work is characterized by extensive field studies and travel, particularly to remote locations, and he often sketches and paints en plein air. His large-scale studio works evoke themes of memory, movement, and human connection to the land. Lopes' compositions have a cinematic quality, with figures rendered in thick, impasto brushstrokes, capturing fleeting, introspective moments. His art is influenced by history, migration, and the evolving nature of identity, making it both personal and universally resonant. He is a highly regarded artist with exhibitions in Australia and internationally, and his work is included in major public and private collections. Lopes has been a finalist in prestigious art prizes, including the Archibald and Wynne Prizes.
Topics Discussed
multidisciplinary practice
drawing
sculpture
painting
Chinese calligraphy
mark-making
materials
aesthetic
environment
studio space
memory
digital world-building
filmmaking
animation
architecture
Mine exhibition
virtual environments
speculative spaces
Janis Clarke
The Other Sun
Olsen Gallery
contemporary artist
oil paintings
perception
Advanced Diploma of Performance Art
Bachelor of Fine Arts
Master of Fine Arts
minimalist landscapes
nocturnal settings
Living a Life That's Perfectly Still
Archibald Prize
Beckah Amani
Bluethumb
online art marketplace
business side of art
digital art world
collector trends
emerging artists
Aboriginal Art Centres
figure
landscape
relationship
tension
visual language
landscape painting
en plein air
movement
human connection
history
migration
identity
storytelling
In this episode of Art Wank, we chat with Sydney-based artist Matt Bromhead about his multidisciplinary practice, which blends drawing, sculpture, and painting. Matt’s drawings take shape through layered mulberry paper, homemade rice glue, and marks influenced by Chinese calligraphy. Known for his delicate use of materials and intuitive approach to mark-making, he shares insights into his process, inspirations, and the ways his work explores form, space, and texture.
We chat about: 🎨 His journey as an artist and how he developed his distinctive aesthetic ✍️ How drawing remains a fundamental part of his practice. 🔨 His approach to materials—why he chooses certain textures, forms, and processes. 🏡 The role of environment and studio space in shaping his work.
In this episode of Art Wank, we chat with Sydney-based artist Matt Bromhead about his multidisciplinary practice, which blends drawing, sculpture, and painting. Matt’s drawings take shape through layered mulberry paper, homemade rice glue, and marks influenced by Chinese calligraphy. Known for his delicate use of materials and intuitive approach to mark-making, he shares insights into his process, inspirations, and the ways his work explores form, space, and texture.
We chat about: 🎨 His journey as an artist and how he developed his distinctive aesthetic ✍️ How drawing remains a fundamental part of his practice. 🔨 His approach to materials—why he chooses certain textures, forms, and processes. 🏡 The role of environment and studio space in shaping his work.
Welcome back to Art Wank! In this episode, we chat with Sydney-based artist Oliver Abbott, whose latest exhibition, Mine, is currently showing at Dominik Mersch Gallery.
Oliver’s practice explores memory and its distortions, using digital world-building tools to reconstruct remembered spaces. His background in filmmaking, animation, and architecture feeds into his work, blending virtual environments with painting to create speculative spaces that sit between reality and imagination.
We discuss: 🎨 How Oliver’s memories of lived spaces inform his work 🖥️ The role of digital tools in his creative process 🏛️ His transition from filmmaking to painting 🖼️ The themes behind his Mine exhibition 👀 What’s next for his practice
Oliver’s work is a fascinating exploration of how we remember and reimagine spaces, and we loved hearing about his unique process.
Welcome back to Art Wank! In this episode, we chat with Sydney-based artist Oliver Abbott, whose latest exhibition, Mine, is currently showing at Dominik Mersch Gallery.
Oliver’s practice explores memory and its distortions, using digital world-building tools to reconstruct remembered spaces. His background in filmmaking, animation, and architecture feeds into his work, blending virtual environments with painting to create speculative spaces that sit between reality and imagination.
We discuss: 🎨 How Oliver’s memories of lived spaces inform his work 🖥️ The role of digital tools in his creative process 🏛️ His transition from filmmaking to painting 🖼️ The themes behind his Mine exhibition 👀 What’s next for his practice
Oliver’s work is a fascinating exploration of how we remember and reimagine spaces, and we loved hearing about his unique process.
Janis ClarkeThe Other SunOlsen Gallerycontemporary artistoil paintingsperceptionmemoryAdvanced Diploma of Performance ArtBachelor of Fine ArtsMaster of Fine Artsminimalist landscapesnocturnal settingsLiving a Life That's Perfectly StillArchibald PrizeBeckah Amani
Janis Clarke's exhibition at Olsen Gallery, The Other Sun, opens March 5th - 29th March 2025.
Janis Clarke, born in 1983 in Sydney, Australia, is a distinguished contemporary artist renowned for his evocative oil paintings that delve into the nuances of perception and memory. His academic journey in the arts commenced with an Advanced Diploma of Performance Art from JMC Academy in 2003. He further honed his craft at the National Art School in Darlinghurst, NSW, earning a Bachelor of Fine Arts between 2013 and 2015, followed by a Master of Fine Arts from 2016 to 2017 under the mentorship of Dr. Andrew Donaldson.
Clarke's work is characterised by tightly composed scenes that capture fleeting moments and introspective reflections. His paintings often present minimalist landscapes and interiors, prompting viewers to engage deeply with the act of observation. Working predominantly at night, Clarke translates his personal experiences and memories into visual narratives, emphasising the stillness and introspection inherent in nocturnal settings.
His solo exhibitions have been met with critical acclaim. Notably, in 2023, he presented Living a Life That's Perfectly Still at the Olsen Annexe in Sydney. This exhibition featured works like Full Moon and House, Blue House, and Window and Pink Lampshade, which encapsulate his exploration of light, shadow, and the subtleties of everyday scenes. The exhibition invited viewers to contemplate the act of seeing, not through detailed realism but through the lived experience of looking.
Clarke's artistic excellence has been recogniSed through his participation in numerous group exhibitions and art prizes. He was a finalist in the prestigious Archibald Prize in 2024, showcasing his portrait Beckah in the Studio, which depicted musician Beckah Amani. The portrait captured Amani's strength and resilience, reflecting Clarke's ability to convey complex emotions through minimalist compositions. Additionally, Clarke has been a finalist in other esteemed competitions, including the Mosman Art Prize and the Paddington Art Prize, underscoring his significant presence in the Australian art scene.
His works are part of notable collections, such as the Zimmermann Permanent Collection, the Macquarie Group Permanent Collection, and the National Art School Permanent Collection in Sydney.
Janis Clarke's exhibition at Olsen Gallery, The Other Sun, opens March 5th - 29th March 2025.
Janis Clarke, born in 1983 in Sydney, Australia, is a distinguished contemporary artist renowned for his evocative oil paintings that delve into the nuances of perception and memory. His academic journey in the arts commenced with an Advanced Diploma of Performance Art from JMC Academy in 2003. He further honed his craft at the National Art School in Darlinghurst, NSW, earning a Bachelor of Fine Arts between 2013 and 2015, followed by a Master of Fine Arts from 2016 to 2017 under the mentorship of Dr. Andrew Donaldson.
Clarke's work is characterised by tightly composed scenes that capture fleeting moments and introspective reflections. His paintings often present minimalist landscapes and interiors, prompting viewers to engage deeply with the act of observation. Working predominantly at night, Clarke translates his personal experiences and memories into visual narratives, emphasising the stillness and introspection inherent in nocturnal settings.
His solo exhibitions have been met with critical acclaim. Notably, in 2023, he presented Living a Life That's Perfectly Still at the Olsen Annexe in Sydney. This exhibition featured works like Full Moon and House, Blue House, and Window and Pink Lampshade, which encapsulate his exploration of light, shadow, and the subtleties of everyday scenes. The exhibition invited viewers to contemplate the act of seeing, not through detailed realism but through the lived experience of looking.
Clarke's artistic excellence has been recogniSed through his participation in numerous group exhibitions and art prizes. He was a finalist in the prestigious Archibald Prize in 2024, showcasing his portrait Beckah in the Studio, which depicted musician Beckah Amani. The portrait captured Amani's strength and resilience, reflecting Clarke's ability to convey complex emotions through minimalist compositions. Additionally, Clarke has been a finalist in other esteemed competitions, including the Mosman Art Prize and the Paddington Art Prize, underscoring his significant presence in the Australian art scene.
His works are part of notable collections, such as the Zimmermann Permanent Collection, the Macquarie Group Permanent Collection, and the National Art School Permanent Collection in Sydney.
0:0044:18
Epiosde 212 - George Hartley, co-founder of Bluethumb Online Art Gallery
Hosts
Hosts of this podcast episode
Gary Seller
Guests
Guests of this podcast episode
George Hartley
Keywords
Keywords of this podcast episode
Bluethumbonline art marketplacebusiness side of artdigital art worldcollector trendsemerging artistsAboriginal Art Centres
In this episode of Art Wank, we chat with George Hartley, co-founder of Bluethumb, Australia's largest online art marketplace. George shares insights into the business side of art, the evolution of Bluethumb, and how artists can leverage online platforms to build their careers. From navigating the digital art world to understanding collector trends, this episode is packed with valuable advice for artists at all stages of their careers.
'We represent over 30,000 emerging and established artists from Australia and work with 20 of Australia's most remote Aboriginal Art Centres to give you access to more Australian artists and their art than anywhere else in the world.
We have sold over 110,000 original Australian artworks to everyone; from first time art buyers to established collectors and Australia's finest architecture firms.
In this episode of Art Wank, we chat with George Hartley, co-founder of Bluethumb, Australia's largest online art marketplace. George shares insights into the business side of art, the evolution of Bluethumb, and how artists can leverage online platforms to build their careers. From navigating the digital art world to understanding collector trends, this episode is packed with valuable advice for artists at all stages of their careers.
'We represent over 30,000 emerging and established artists from Australia and work with 20 of Australia's most remote Aboriginal Art Centres to give you access to more Australian artists and their art than anywhere else in the world.
We have sold over 110,000 original Australian artworks to everyone; from first time art buyers to established collectors and Australia's finest architecture firms.
“I try to deal with the figure and the landscape together. For me, it’sabout the relationship we have with our surrounds. The tension between the two both visually and metaphorically is what makes it interesting to tackle as a subject.” Steve Lopes
Born in Sydney, Lopes trained in both Australia and the UK, refining a unique visual language that blends elements of traditional landscape painting with an expressive, contemporary edge. His work is often informed by extensive field studies and travel, particularly to remote locations. He sketches and paints en plein air, later developing large-scale studio works that evoke memory, movement, and human connection to the land.
Lopes’ compositions have a cinematic quality—his figures, often rendered in thick, impasto brushstrokes, appear caught in fleeting, introspective moments. His work is deeply influenced by history, migration, and the changing nature of identity, making his paintings both personal and universally resonant.
A highly regarded artist, Lopes has exhibited widely in Australia and internationally. His work is held in major public and private collections, and he has been a finalist in prestigious art prizes, including the Archibald and Wynne Prizes.
Join us as we discuss Lopes’ artistic journey, his approach to storytelling through paint, and the influences that have shaped his dynamic practice.
“I try to deal with the figure and the landscape together. For me, it’sabout the relationship we have with our surrounds. The tension between the two both visually and metaphorically is what makes it interesting to tackle as a subject.” Steve Lopes
Born in Sydney, Lopes trained in both Australia and the UK, refining a unique visual language that blends elements of traditional landscape painting with an expressive, contemporary edge. His work is often informed by extensive field studies and travel, particularly to remote locations. He sketches and paints en plein air, later developing large-scale studio works that evoke memory, movement, and human connection to the land.
Lopes’ compositions have a cinematic quality—his figures, often rendered in thick, impasto brushstrokes, appear caught in fleeting, introspective moments. His work is deeply influenced by history, migration, and the changing nature of identity, making his paintings both personal and universally resonant.
A highly regarded artist, Lopes has exhibited widely in Australia and internationally. His work is held in major public and private collections, and he has been a finalist in prestigious art prizes, including the Archibald and Wynne Prizes.
Join us as we discuss Lopes’ artistic journey, his approach to storytelling through paint, and the influences that have shaped his dynamic practice.
Thanks for talking to us, Steve.
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