#384 Dainéal Parker of Lone Kodiak
Simon Head
Dainal Parker
Lone Kodiak
indie rock
post-rock
alt-rock
pandemic songwriting
musical inspiration
East LA
Pacific Northwest
grunge renaissance
post-alt rock
Founded by Portland natives Dainéal Parker (vocals, guitars) and Daniel Alden (bass), the group found revelation with the inclusion of their drummer, Josh Harris. Drawing inspiration from iconic bands like The Cure, Hum, The Smashing Pumpkins, Explosions In The Sky, and Deftones, the group embarked on a creative journey during the pandemic, molding a distinct sonic identity that has marked them out as the next new act to watch.
Whether trying to nail down their sound or find another group as hardworking as them, the band stands alone as their namesake would against a barren backdrop. And, of course, the East LA outfit doesn’t fit in with the pomp and bluster of the Hollywood rock scene, unconcerned as they are with clout, glory, or grandeur.
The quartet (with guitarist Ben Palmer squaring the circle) combines the grit of East LA with the sublime wildness of the Pacific Northwest – a group that is at once solitary, capable, dangerous, and self-assured
The band spent the pandemic crafting and honing their sound to a polish during the years of lockdowns and unrest the pandemic brought. What that is, or what to call it, is, again, not easy. “Grunge Renaissance”? “Post-Alt Rock?” Trying to classify them according to genre might earn the vague moniker of “alt-rock” or as far afield as “post-rock.”
Instead, their sound might be best captured by Parker’s vision for his lyrics. “I’ve always been fascinated with scale, majesty, immensity,” he muses. “I imagine my own death would ideally either being lost at sea or in the forest.” Look no further than the band’s name for a prime example: “Lone Kodiak” evokes the grand intimacy of a powerful animal lumbering through a vast, unforgiving wilderness.
On an endless landscape, one can’t help but feel like everything is infinitely far away, and yet feels close enough to touch, looming distantly right in front of our eyes.
Band Photo credit: Lindsey Grace
Socials:Bandcamp: https://lonekodiak.bandcamp.com/album/if-we-have-a-futureInstagram: https://www.instagram.com/lonekodiak/YouTube: https://www.youtube.com/channel/UCastW455utyE4BHi5YqUuXg/videosFacebook: https://www.facebook.com/@lonekodiakband/Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp
Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home--21st-anniversary-remix-remasteredhttps://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends
Whether trying to nail down their sound or find another group as hardworking as them, the band stands alone as their namesake would against a barren backdrop. And, of course, the East LA outfit doesn’t fit in with the pomp and bluster of the Hollywood rock scene, unconcerned as they are with clout, glory, or grandeur.
The quartet (with guitarist Ben Palmer squaring the circle) combines the grit of East LA with the sublime wildness of the Pacific Northwest – a group that is at once solitary, capable, dangerous, and self-assured
The band spent the pandemic crafting and honing their sound to a polish during the years of lockdowns and unrest the pandemic brought. What that is, or what to call it, is, again, not easy. “Grunge Renaissance”? “Post-Alt Rock?” Trying to classify them according to genre might earn the vague moniker of “alt-rock” or as far afield as “post-rock.”
Instead, their sound might be best captured by Parker’s vision for his lyrics. “I’ve always been fascinated with scale, majesty, immensity,” he muses. “I imagine my own death would ideally either being lost at sea or in the forest.” Look no further than the band’s name for a prime example: “Lone Kodiak” evokes the grand intimacy of a powerful animal lumbering through a vast, unforgiving wilderness.
On an endless landscape, one can’t help but feel like everything is infinitely far away, and yet feels close enough to touch, looming distantly right in front of our eyes.
Band Photo credit: Lindsey Grace
Socials:Bandcamp: https://lonekodiak.bandcamp.com/album/if-we-have-a-futureInstagram: https://www.instagram.com/lonekodiak/YouTube: https://www.youtube.com/channel/UCastW455utyE4BHi5YqUuXg/videosFacebook: https://www.facebook.com/@lonekodiakband/Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp
Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home--21st-anniversary-remix-remasteredhttps://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends