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The podcast about making comics — and making a living from comics! It's half shop talk, half how-to, and half friendship. WE SQUEEZED IN THREE HALVES. It's tips and tricks and all the joys of cartooning as a pro. So pull up your drawing chair, put on some headphones, and join us while you draw! And if you like what you hear, join our community at patreon.com/comiclab (For sponsorship inquiries: [email protected])
The podcast about making comics — and making a living from comics! It's half shop talk, half how-to, and half friendship. WE SQUEEZED IN THREE HALVES. It's tips and tricks and all the joys of cartooning as a pro. So pull up your drawing chair, put on some headphones, and join us while you draw! And if you like what you hear, join our community at patreon.com/comiclab (For sponsorship inquiries: [email protected])
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Lucy Knisley is a critically acclaimed and award-winning comic creator known for her personal, confessional graphic novels and travelogues. She has published over a dozen books with major publishers like Simon & Schuster, First Second Books, and Random House Graphics, and has contributed to numerous collections, anthologies, periodicals, and publications. Her work includes titles such as 'Ride Beside Me', 'Woa: A Housecat's Story of Despair', 'French Milk', 'Relish: My Life in the Kitchen', and 'Stepping Stones'. Her latest book, 'Sugar Shack', is set to be released in August 2025.
Lucy Knisley is a critically acclaimed and award-winning comic creator known for her personal, confessional graphic novels and travelogues. She has published over a dozen books with major publishers like Simon & Schuster, First Second Books, and Random House Graphics, and has contributed to numerous collections, anthologies, periodicals, and publications. Her work includes titles such as 'Ride Beside Me', 'Woa: A Housecat's Story of Despair', 'French Milk', 'Relish: My Life in the Kitchen', and 'Stepping Stones'. Her latest book, 'Sugar Shack', is set to be released in August 2025.
Jarad Greene is a cartoonist who works on staff at The Center for Cartoon Studies and has helped color many graphic novels for younger readers. He is the author and illustrator of the graphic novels A-Okay, A for Effort, and Scullion: A Dishwashers Guide to Mistaken Identity.
Jarad Greene is a cartoonist who works on staff at The Center for Cartoon Studies and has helped color many graphic novels for younger readers. He is the author and illustrator of the graphic novels A-Okay, A for Effort, and Scullion: A Dishwashers Guide to Mistaken Identity.
graphic novelscartooningillustrationpersonal narrativetravel writingpublishing industrycreative processindependent publishingstorytellingartistic career
While at Alaska Comic Camp, Dave Kellett had the opportunity to speak with cartoonist Lucy Knisley, a critically acclaimed and award-winning comic creator. She specializes in personal, confessional graphic novels and travelogues.
LUCY'S BOOKS
Lucy has published more than a dozen books, with several fantastic publishers. These have included: Simon & Schuster, First Second Books, Fantagraphics, Chronicle, Random House Graphics, Knopf and Rocky Pond. She has also contributed to many collections and anthologies at various publishers and made work for many periodicals and publications. Here are a few...
While at Alaska Comic Camp, Dave Kellett had the opportunity to speak with cartoonist Lucy Knisley, a critically acclaimed and award-winning comic creator. She specializes in personal, confessional graphic novels and travelogues.
LUCY'S BOOKS
Lucy has published more than a dozen books, with several fantastic publishers. These have included: Simon & Schuster, First Second Books, Fantagraphics, Chronicle, Random House Graphics, Knopf and Rocky Pond. She has also contributed to many collections and anthologies at various publishers and made work for many periodicals and publications. Here are a few...
cartooninggraphic novelsinkinglearning to use a brushcomics
While Dave Kellett was at Alaska Comics Camp, he had the opportunity to speak with Jarad Greene, a cartoonist who works on staff at The Center for Cartoon Studies and has helped color many graphic novels for younger readers. He is the author and illustrator of the graphic novels A-Okay, A for Effort, and Scullion: A Dishwasher’s Guide to Mistaken Identity — available wherever books are sold and through his affiliate Bookshop.org shop. He talked with Dave about the joys of learning to use a brush for inking.
While Dave Kellett was at Alaska Comics Camp, he had the opportunity to speak with Jarad Greene, a cartoonist who works on staff at The Center for Cartoon Studies and has helped color many graphic novels for younger readers. He is the author and illustrator of the graphic novels A-Okay, A for Effort, and Scullion: A Dishwasher’s Guide to Mistaken Identity — available wherever books are sold and through his affiliate Bookshop.org shop. He talked with Dave about the joys of learning to use a brush for inking.
Dave Kellet returns from Alaska Comics Camp once more rejuvinated, recharged, and reinvigorated! He shares his joy-filled experiences from a week in Juno, Alaska, with about 60 other cartoonists sharing knowledge, friendship, and happiness. In the second half, a cartoonist shares her feelings of depression after losing a couple of cartooning contests.
In this episode of ComicLab, hosts Dave Kellett and Brad Guigar share their experiences at the Alaska Comics Camp, a unique gathering of cartoonists that fosters creativity, community, and personal growth. They discuss the joy of disconnecting from technology, the enriching interactions among artists of all levels, and the cultural exposure provided by the camp. The conversation highlights the importance of friendship and collaboration in the creative process and the humorous challenges of camp life. In this conversation, the hosts discuss the enriching experiences at Comics Camp, where artists come together to learn, share, and create in a supportive environment. They highlight the importance of teaching and learning from one another, the joy of creative games, and the deep personal connections formed during the camp. The discussion emphasizes the altruistic nature of the event and its impact on the artists' personal and professional growth. In this episode of ComicLab, hosts Brad Guigar and Dave Kellett discuss personal affirmations, the importance of motivation, and the upcoming ComicLab Live stage show. They delve into the universal experience of rejection in the comics industry, sharing personal stories and insights on how to cope with setbacks. The conversation emphasizes the value of persistence in cartooning and the idea that true success lies in continuing to create, regardless of awards or recognition.
Takeaways
Alaska Comics Camp is a joy-filled experience.
The camp fosters community among cartoonists.
Participants come from all over North America.
The camp is hosted in a beautiful, pristine location.
Disconnecting from technology is healing and refreshing.
The camp encourages interaction between artists of all levels.
Both experienced and new cartoonists teach classes.
The camp runs under Chatham House rules for open discussion.
Friendship and collaboration are key themes at the camp. Comic Camp fosters a unique environment for learning and sharing.
Teaching at Comic Camp is driven by altruism and community spirit.
Creative games enhance camaraderie and collaboration among artists.
Personal stories shared at camp deepen connections between artists.
The camp experience allows for genuine friendships to form quickly.
Artists engage in hands-on activities that spark creativity.
The isolation of the camp creates a unique bonding experience.
Scholarships are available for those who may need financial assistance.
The camp is a blend of professional development and personal growth.
Comic Camp is considered one of the best experiences in the comics community. Your talent is undeniable, unless you're the one denying it.
Stop denying yourself and embrace your creativity.
Comic Lab Live is a highlight of the year for creators.
Rejection is a universal experience for artists.
Don't let rejection define your self-worth.
Persistence is key in the world of cartooning.
Awards don't determine your value as an artist.
You can't let others dictate your happiness.
True victory is continuing to create despite setbacks.
Dave Kellet returns from Alaska Comics Camp once more rejuvinated, recharged, and reinvigorated! He shares his joy-filled experiences from a week in Juno, Alaska, with about 60 other cartoonists sharing knowledge, friendship, and happiness. In the second half, a cartoonist shares her feelings of depression after losing a couple of cartooning contests.
In this episode of ComicLab, hosts Dave Kellett and Brad Guigar share their experiences at the Alaska Comics Camp, a unique gathering of cartoonists that fosters creativity, community, and personal growth. They discuss the joy of disconnecting from technology, the enriching interactions among artists of all levels, and the cultural exposure provided by the camp. The conversation highlights the importance of friendship and collaboration in the creative process and the humorous challenges of camp life. In this conversation, the hosts discuss the enriching experiences at Comics Camp, where artists come together to learn, share, and create in a supportive environment. They highlight the importance of teaching and learning from one another, the joy of creative games, and the deep personal connections formed during the camp. The discussion emphasizes the altruistic nature of the event and its impact on the artists' personal and professional growth. In this episode of ComicLab, hosts Brad Guigar and Dave Kellett discuss personal affirmations, the importance of motivation, and the upcoming ComicLab Live stage show. They delve into the universal experience of rejection in the comics industry, sharing personal stories and insights on how to cope with setbacks. The conversation emphasizes the value of persistence in cartooning and the idea that true success lies in continuing to create, regardless of awards or recognition.
Takeaways
Alaska Comics Camp is a joy-filled experience.
The camp fosters community among cartoonists.
Participants come from all over North America.
The camp is hosted in a beautiful, pristine location.
Disconnecting from technology is healing and refreshing.
The camp encourages interaction between artists of all levels.
Both experienced and new cartoonists teach classes.
The camp runs under Chatham House rules for open discussion.
Friendship and collaboration are key themes at the camp. Comic Camp fosters a unique environment for learning and sharing.
Teaching at Comic Camp is driven by altruism and community spirit.
Creative games enhance camaraderie and collaboration among artists.
Personal stories shared at camp deepen connections between artists.
The camp experience allows for genuine friendships to form quickly.
Artists engage in hands-on activities that spark creativity.
The isolation of the camp creates a unique bonding experience.
Scholarships are available for those who may need financial assistance.
The camp is a blend of professional development and personal growth.
Comic Camp is considered one of the best experiences in the comics community. Your talent is undeniable, unless you're the one denying it.
Stop denying yourself and embrace your creativity.
Comic Lab Live is a highlight of the year for creators.
Rejection is a universal experience for artists.
Don't let rejection define your self-worth.
Persistence is key in the world of cartooning.
Awards don't determine your value as an artist.
You can't let others dictate your happiness.
True victory is continuing to create despite setbacks.
lonelinesssocial connectionsmental healthcreativityartcommunitycomic artistsSan Diego Comic ConKickstarterart as healingart in education
Today's episode is sponsored by Dreamhost. The first step in owning and controlling your own work is building a website, and Dreamhost is there to make that simple, painless, and inexpensive. Go to www.Dreamhost.com/ComicLab for details.
The life of a comic artist is often a solitary one. Brad and Dave discuss ways of maintaining social connections for mental health and creativity. Later, they discuss the dangers of setting an artificially low Kickstarter goal.
ON TODAY'S SHOW
The lone life of a comic artist
UPDATE: Susan MacTaggart's affirmations
http://www.Dreamhost.com/comiclab for special offers on web hosting for listeners
An artist is reminded of the importance of art
Setting an artificially low Kickstarter goal
SUMMARY
In this episode of ComicLab, hosts Brad Guigar and Dave Kellett explore the themes of socialization and loneliness in the life of cartoonists. They share humorous anecdotes from a recent trip to San Diego Comic Con, discuss the challenges of working alone, and emphasize the importance of maintaining social connections for mental health and creativity. The conversation also touches on practical tips for finding community, engaging with other cartoonists, and the value of stepping outside one's comfort zone to meet new people. In this episode, the hosts explore the importance of socialization for cartoonists and the healing power of art. They discuss how creative spaces can foster social interaction and the necessity of getting out of the studio.
The conversation shifts to the emotional impact of art, particularly in times of personal grief, highlighting how art can provide escapism and comfort. The hosts reflect on their own experiences with art as a source of healing and the responsibility of artists to connect with their audience. In this episode, Brad Guigar and Dave Kellett discuss the significance of the arts in education and the joy of discovering new authors like John Scalzi.
The show ends with discussing practical strategies for running successful Kickstarter campaigns. They emphasize the importance of understanding costs, setting realistic goals, and the potential risks of lowering funding targets. The hosts also explore the concept of urgency in crowdfunding and how to engage backers effectively, including leveraging early releases and creating special offers for supporters.
TAKEAWAYS
Cartoonists often face loneliness in their profession.
Finding a balance between solitude and socialization is crucial.
Social interactions can enhance creativity and humor.
Engaging with other cartoonists can provide support and inspiration.
Joining groups like the National Cartoonist Society can foster connections.
Participating in local meetups can improve mental health.
Volunteering can introduce you to diverse perspectives.
Maintaining friendships is essential for personal growth.
Stepping out of your comfort zone can lead to new opportunities. Cartoonists can benefit from socializing in creative spaces.
Art serves as a vital escape during tough times.
Engaging with the community can enhance creativity.
Walking a dog can lead to unexpected social interactions.
Art can be a source of emotional healing.
Creativity can be a daily practice, like brewing coffee.
Comics can have a profound impact on readers' lives.
Doom scrolling can be countered with engaging literature.
Art can help maintain mental health and balance.
Every artist contributes to the larger narrative of humanity. The arts are often undervalued in education.
Discovering new authors can enhance escapism.
Kickstarter strategies can significantly impact success.
Setting realistic funding goals is crucial.
Understanding costs is essential for Kickstarter campaigns.
Lowering goals can be risky and detrimental.
Project We Love may not significantly boost funding.
Engaging backers early can create a sense of urgency.
Special offers can incentivize early support.
Learning from failed campaigns is part of the process.
Today's episode is sponsored by Dreamhost. The first step in owning and controlling your own work is building a website, and Dreamhost is there to make that simple, painless, and inexpensive. Go to www.Dreamhost.com/ComicLab for details.
The life of a comic artist is often a solitary one. Brad and Dave discuss ways of maintaining social connections for mental health and creativity. Later, they discuss the dangers of setting an artificially low Kickstarter goal.
ON TODAY'S SHOW
The lone life of a comic artist
UPDATE: Susan MacTaggart's affirmations
http://www.Dreamhost.com/comiclab for special offers on web hosting for listeners
An artist is reminded of the importance of art
Setting an artificially low Kickstarter goal
SUMMARY
In this episode of ComicLab, hosts Brad Guigar and Dave Kellett explore the themes of socialization and loneliness in the life of cartoonists. They share humorous anecdotes from a recent trip to San Diego Comic Con, discuss the challenges of working alone, and emphasize the importance of maintaining social connections for mental health and creativity. The conversation also touches on practical tips for finding community, engaging with other cartoonists, and the value of stepping outside one's comfort zone to meet new people. In this episode, the hosts explore the importance of socialization for cartoonists and the healing power of art. They discuss how creative spaces can foster social interaction and the necessity of getting out of the studio.
The conversation shifts to the emotional impact of art, particularly in times of personal grief, highlighting how art can provide escapism and comfort. The hosts reflect on their own experiences with art as a source of healing and the responsibility of artists to connect with their audience. In this episode, Brad Guigar and Dave Kellett discuss the significance of the arts in education and the joy of discovering new authors like John Scalzi.
The show ends with discussing practical strategies for running successful Kickstarter campaigns. They emphasize the importance of understanding costs, setting realistic goals, and the potential risks of lowering funding targets. The hosts also explore the concept of urgency in crowdfunding and how to engage backers effectively, including leveraging early releases and creating special offers for supporters.
TAKEAWAYS
Cartoonists often face loneliness in their profession.
Finding a balance between solitude and socialization is crucial.
Social interactions can enhance creativity and humor.
Engaging with other cartoonists can provide support and inspiration.
Joining groups like the National Cartoonist Society can foster connections.
Participating in local meetups can improve mental health.
Volunteering can introduce you to diverse perspectives.
Maintaining friendships is essential for personal growth.
Stepping out of your comfort zone can lead to new opportunities. Cartoonists can benefit from socializing in creative spaces.
Art serves as a vital escape during tough times.
Engaging with the community can enhance creativity.
Walking a dog can lead to unexpected social interactions.
Art can be a source of emotional healing.
Creativity can be a daily practice, like brewing coffee.
Comics can have a profound impact on readers' lives.
Doom scrolling can be countered with engaging literature.
Art can help maintain mental health and balance.
Every artist contributes to the larger narrative of humanity. The arts are often undervalued in education.
Discovering new authors can enhance escapism.
Kickstarter strategies can significantly impact success.
Setting realistic funding goals is crucial.
Understanding costs is essential for Kickstarter campaigns.
Lowering goals can be risky and detrimental.
Project We Love may not significantly boost funding.
Engaging backers early can create a sense of urgency.
Special offers can incentivize early support.
Learning from failed campaigns is part of the process.
SEO for webcomicssearch engine optimizationwebcomic website performanceaudience engagementcontent strategiesalt textdigital toolscolor theoryhumor writinglong-form storytelling
Now that comic creators are returning to websites, SEO (search engine optimization) is once again a hot topic. We'll talk about methods to help search engines index comics. Also, if Brad and Dave were to design a four-year degree for cartoonists, what classes would be on the curriculum?
Today's show
SEO for webcomics
Should you use alt text on social media posts?
Susan MacTaggart's personal affirmation
UPDATE: Comiclab Live stage show at the NCS conference, Aug. 14-16
UPDATE: Apple loses its 30% cash grab
UPDATE: Superfan Ray Michels does it again
What would Dave and Brad's comics BFA degree include?
Summary
In this episode, Dave Kellett and Brad Guigar discuss the importance of SEO for comic creators, particularly in 2025, highlighting best practices for optimizing webcomics. The episode concludes with practical tips for improving website performance and audience engagement through effective content strategies. In the mid-show updates, Dave Kellett and Brad Guigar promote their upcoming ComicLab LIVE stage show at the NCS convention in August, examine the implications of Apple's recent court loss, and thank superfan Ray Michaels for updating Dave Kellett's Wikipedia page.
In the second half, they explore what an ideal art degree for cartoonists might look like, emphasizing the balance between craft and business education. They discuss the ideal curriculum for aspiring comic artists, focusing on creative writing, business skills, art techniques, and the importance of real-world experience. They explore various classes that would benefit students, including humor writing, long-form storytelling, digital tools, and color theory. The discussion emphasizes the need for a well-rounded education that combines artistic skills with practical knowledge to prepare students for a successful career in comics.
Takeaways
SEO is crucial for comic creators to reach their audience.
Transcripts can enhance SEO and accessibility for comics.
Alt text is essential for improving search engine visibility.
Optimizing image metadata can boost website performance.
Creating a 'Start Here' page can guide new readers effectively.
Regularly updating meta descriptions can improve SEO rankings.
Engaging with your audience through alt text can enhance their experience.
Content creation should be efficient and serve multiple purposes.
SEO tactics can often be misleading and should be approached with caution.
Linking to other webcomics can create a supportive community.
Quality content is more important than SEO for attracting readers.
Personal affirmations can provide motivation and encouragement.
Events like the Reuben weekend are valuable for networking in the comic community.
Recent legal victories can benefit creators financially on platforms like Patreon.
Understanding analytics is crucial for independent artists.
Business courses should be a core part of an art degree for cartoonists.
Branding and legal knowledge are essential for success in the comic industry.
Grant writing can be a valuable skill for artists seeking funding.
A creative writing class specifically for comics is essential.
Rhetoric and composition should be included in the curriculum.
Understanding humor is crucial for all writers, not just humorists.
Long-form storytelling should be taught with a focus on serialization.
Art classes should cover visual storytelling and mark-making techniques.
A history of mixed media communication is important for understanding comics.
Digital tools and their applications should be part of the curriculum.
Color theory and management are vital for storytelling in comics.
Internships provide valuable real-world experience for students.
A well-rounded curriculum should balance art, writing, and business skills.
Brad's Comics BFA
This is Brad Guigar's wishlist for a full 4-year BFA-style degree for comics creators, assuming a 120-credit hour program, broken down into approximately 40 classes (3 credits each). I’ve grouped them by category and semester.
YEAR 1 – Foundation
Fall Semester
Intro to Visual Storytelling (Art)
Creative Writing for Comics I (Writing)
Foundations of Marketing (Business)
Composition & Rhetoric (Gen Ed)
Digital Tools for Creatives (Art/Tech)
Spring Semester
Drawing for Sequential Art (Art)
Creative Writing for Comics II (Writing)
Entrepreneurship 101 (Business)
Intro to Media Studies (Gen Ed)
Social Media Strategy (Business)
YEAR 2 – Skill Building
Fall Semester
Narrative Structure & Pacing (Writing)
Lettering & Typography (Art)
Branding for Creators (Business)
Art History for Comic Artists (Gen Ed/Art History)
Accounting & Taxes for Freelancers (Business)
Spring Semester
Panel Layout & Visual Flow (Art)
Character Development & Dialogue (Writing)
Marketing Campaigns & Analytics (Business)
Legal Issues in Creative Careers (Business)
Psychology of Storytelling (Writing/Gen Ed)
YEAR 3 – Integration & Professional Prep
Fall Semester
Writing humor (Writing)
Coloring (Art)
Crowdfunding & Direct Sales (Business)
The Comic Industry: History & Trends (Gen Ed/Art History)
Pitching & Proposal Writing (Business/Writing)
Spring Semester
Advanced Sequential Storytelling (Art)
Long-Form Storytelling & Serialization (Writing)
Client & Commission Work (Business)
Internship or Industry Mentorship (Business)
Elective: Animation, Game Art, or Podcasting
YEAR 4 – Capstone & Launch
Fall Semester
Capstone Project Planning (Writing/Art)
Publishing & Distribution Models (Business)
Teaching & Workshops for Creators (Business)
Grant Writing & Residencies (Business/Writing)
Elective: Zines, Erotic Comics, or Experimental Forms
Now that comic creators are returning to websites, SEO (search engine optimization) is once again a hot topic. We'll talk about methods to help search engines index comics. Also, if Brad and Dave were to design a four-year degree for cartoonists, what classes would be on the curriculum?
Today's show
SEO for webcomics
Should you use alt text on social media posts?
Susan MacTaggart's personal affirmation
UPDATE: Comiclab Live stage show at the NCS conference, Aug. 14-16
UPDATE: Apple loses its 30% cash grab
UPDATE: Superfan Ray Michels does it again
What would Dave and Brad's comics BFA degree include?
Summary
In this episode, Dave Kellett and Brad Guigar discuss the importance of SEO for comic creators, particularly in 2025, highlighting best practices for optimizing webcomics. The episode concludes with practical tips for improving website performance and audience engagement through effective content strategies. In the mid-show updates, Dave Kellett and Brad Guigar promote their upcoming ComicLab LIVE stage show at the NCS convention in August, examine the implications of Apple's recent court loss, and thank superfan Ray Michaels for updating Dave Kellett's Wikipedia page.
In the second half, they explore what an ideal art degree for cartoonists might look like, emphasizing the balance between craft and business education. They discuss the ideal curriculum for aspiring comic artists, focusing on creative writing, business skills, art techniques, and the importance of real-world experience. They explore various classes that would benefit students, including humor writing, long-form storytelling, digital tools, and color theory. The discussion emphasizes the need for a well-rounded education that combines artistic skills with practical knowledge to prepare students for a successful career in comics.
Takeaways
SEO is crucial for comic creators to reach their audience.
Transcripts can enhance SEO and accessibility for comics.
Alt text is essential for improving search engine visibility.
Optimizing image metadata can boost website performance.
Creating a 'Start Here' page can guide new readers effectively.
Regularly updating meta descriptions can improve SEO rankings.
Engaging with your audience through alt text can enhance their experience.
Content creation should be efficient and serve multiple purposes.
SEO tactics can often be misleading and should be approached with caution.
Linking to other webcomics can create a supportive community.
Quality content is more important than SEO for attracting readers.
Personal affirmations can provide motivation and encouragement.
Events like the Reuben weekend are valuable for networking in the comic community.
Recent legal victories can benefit creators financially on platforms like Patreon.
Understanding analytics is crucial for independent artists.
Business courses should be a core part of an art degree for cartoonists.
Branding and legal knowledge are essential for success in the comic industry.
Grant writing can be a valuable skill for artists seeking funding.
A creative writing class specifically for comics is essential.
Rhetoric and composition should be included in the curriculum.
Understanding humor is crucial for all writers, not just humorists.
Long-form storytelling should be taught with a focus on serialization.
Art classes should cover visual storytelling and mark-making techniques.
A history of mixed media communication is important for understanding comics.
Digital tools and their applications should be part of the curriculum.
Color theory and management are vital for storytelling in comics.
Internships provide valuable real-world experience for students.
A well-rounded curriculum should balance art, writing, and business skills.
Brad's Comics BFA
This is Brad Guigar's wishlist for a full 4-year BFA-style degree for comics creators, assuming a 120-credit hour program, broken down into approximately 40 classes (3 credits each). I’ve grouped them by category and semester.
YEAR 1 – Foundation
Fall Semester
Intro to Visual Storytelling (Art)
Creative Writing for Comics I (Writing)
Foundations of Marketing (Business)
Composition & Rhetoric (Gen Ed)
Digital Tools for Creatives (Art/Tech)
Spring Semester
Drawing for Sequential Art (Art)
Creative Writing for Comics II (Writing)
Entrepreneurship 101 (Business)
Intro to Media Studies (Gen Ed)
Social Media Strategy (Business)
YEAR 2 – Skill Building
Fall Semester
Narrative Structure & Pacing (Writing)
Lettering & Typography (Art)
Branding for Creators (Business)
Art History for Comic Artists (Gen Ed/Art History)
Accounting & Taxes for Freelancers (Business)
Spring Semester
Panel Layout & Visual Flow (Art)
Character Development & Dialogue (Writing)
Marketing Campaigns & Analytics (Business)
Legal Issues in Creative Careers (Business)
Psychology of Storytelling (Writing/Gen Ed)
YEAR 3 – Integration & Professional Prep
Fall Semester
Writing humor (Writing)
Coloring (Art)
Crowdfunding & Direct Sales (Business)
The Comic Industry: History & Trends (Gen Ed/Art History)
Pitching & Proposal Writing (Business/Writing)
Spring Semester
Advanced Sequential Storytelling (Art)
Long-Form Storytelling & Serialization (Writing)
Client & Commission Work (Business)
Internship or Industry Mentorship (Business)
Elective: Animation, Game Art, or Podcasting
YEAR 4 – Capstone & Launch
Fall Semester
Capstone Project Planning (Writing/Art)
Publishing & Distribution Models (Business)
Teaching & Workshops for Creators (Business)
Grant Writing & Residencies (Business/Writing)
Elective: Zines, Erotic Comics, or Experimental Forms
